Painting it Black: How to create the most vile, evil, wicked, no-good, dirty villain
(I wrote this article several years ago. It first appeared in Writers Digest's annual magazine Writing Popular Fiction. And then reran in two other magazines. ) It's a shameful fact, but I encounter no difficulty in writing about evil. What that says about my psyche, I don't even want to know. But the simple truth is, I find it frighteningly easy and enjoyable to create the blackest of villains. Give me any plot and I can think of a plausible and truly menacing bad guy to go with it. Maybe part of the reason I am adept at developing evil characters is because I think stories are more interesting if good must struggle to triumph over evil. In my mind, the blacker the evil, the brighter and shinier the triumph. When the golden moment finally arrives, when the heroine races through the field of wildflowers to embrace her conquering hero, it is all the better if she must first step over the battered and broken body of her nemesis. Golden scenes are great, so long as there